ABBA In Concert

ABBA: The Tour was the third and final concert tour by the Swedish pop group, ABBA. Primarily visiting North America, Europe and Asia during 1979, the tour supported the group's sixth studio album, Voulez-Vous. Many ABBA fans consider the tour to be the best from the globally successful ensemble, which disbanded in 1983.

On October 1, 1983 an image from the concert at the Portland Opera House was immortalized on a stamp by the Posten AB.

Since forming in 1973, the group had only performed about 24 concert dates over six years. For many years, the group had refused to tour because they wanted to be the headliner and not the opening act.^[2] Pressured to tour by their record company, the group had performed a brief tour in Europe and Australia in the summer of 1977. Upon the release of their sixth album, the group decided to tour North America for one month. Benny Andersson stated that the decision to tour was based on the need for the group to become more "present" to North American audiences. He further felt that the media would not consider ABBA to be a "real" group if they had not toured.^[2]

In January 1979, ABBA performed alongside the Bee Gees, John Denver and Earth, Wind & Fireat the "A Gift of Song—Music for UNICEF Concert" at the United Nations General Assembly inNew York City, New York. The concert benefited the United Nations Children's Fund.^[3] Shortly after, it was reveled that members, Björn Ulvaeus and Agnetha Fältskog had been separated for several months. Despite this, Agnetha assured the media that the group was united, stating, "Everyone feels very good at the moment. We are working well together and we still have something to give".^[4]

The tour was officially announced by WEA in May 1979, beginning in Canada and the United States before venturing into Europe. While promoting the album, the quartet began rehearsals for the tour in June 1979 at the Stockholm Concert Hall in Stockholm, Sweden. Agnetha and Anni-Frid began taking private vocal lessons while Benny and Björn organized the tour. In the United States, the tour was heavily promoted by various media outlets including Billboard Magazine, where a 50 page mini-magazine about ABBA was included in its September 8, 1979 issue. The magazine provided a history of the group as well as outlining their success in over 40 countries worldwide. It also provided details of the upcoming tour, as well as personal interviews with each member of the quartet. During one of the interviews, Andersson and Ulvaeus remarked how important the tour was to the group, especially touring in new territory. They stated:

"To us, the U.S. is mainly a challenge. The whole tour to us is a great challenge. Tonight, the audience was great and everything went smoothly. But it was a very strange feeling when we have not toured in 2 1/2 years. You don't have the self confidence that most artists have that tour a lot and you don't know until you're up there, until you meet the audience face-to-face, whether it's going to work or not…"^[5]

 Rehearsals of the tour continued when ABBA made a surprise appearance at a nightclub in Stockholm as a sneak peek for the upcoming tour. Andersson felt this was much need as the group was not primarily known as a touring act. He said the quartet needed to build the self-confidence needed to perform onstage in front of large audiences.

The group returned to rehearsals in August 1979 after promotions in the United States and Mexico ended. While rehearsing at the Europafilm Studios in Sundbyberg, Andersson and Ulvaeus needed to produce a song to help promote the tour. Together, they wrote Gimme! Gimme! Gimme! (A Man After Midnight). The staging was a standard endstage with a blue backdrop with several triangular structures, resembling icebergs. It was on this tour that Fältskog and Lyngstad wore the iconic blue, indigo and violet jumpsuits. The suits were later be recreated by Madonna on her Confessions Tour as a tribute to the band. As the group toured the United States, their film ABBA: The Movie was shown in the city after each concert.^[6]

Despite critical acclaim,^[7] the band would never tour again. Lyngstad stated that she felt secure onstage whereas Fältskog felt more comfortable in the recording studio.^[8] The group disliked the conditions of traveling for the tour, with one plane trip that was very traumatic for Fältskog. Their reactions to touring would later be penned in the song Super Trouper. Many fans speculated the song was a long letter written to Ulvaeus' new lover—shown in the lines: "I was sick and tired of everything // When I called you last night from Glasgow // All I do is eat and sleep and sing // Wishing every show was the last show". However the song shifts viewpoint in the lines: "Facing 20,000 of your friends // How can anyone be so lonely // Part of a success that never ends // Still I'm thinking about you only".

Even though ABBA members continue their musical careers as solo artists, they still have not toured. The 1979 tour is considered to be a classic among ABBA fans; many contemporary artists and ABBA tribute bands have included elements of this tour in their shows.

The tour would also become known as ABBA in Concert and ABBA: North American and European Tour 1979

Setlist

1. "Gammal Fäbodpsalm" (Instrumental Introduction)
2. "Voulez-Vous"
3. "If It Wasn't for the Nights"
4. "As Good as New"
5. "Knowing Me, Knowing You"
6. "Rock Me"
7. "Not Bad at All"
8. "Chiquitita"
9. "Money, Money, Money"
10. "I Have a Dream
11. "Gimme! Gimme! Gimme! (A Man After Midnight)"
12. "S.O.S."
13. "Fernando"
14. "The Name of the Game"
15. "Eagle"
16. "Thank You for the Music"
17. "Why Did It Have to Be Me"
18. "Intermezzo No. 1" (Instrumental Interlude)
19. "I'm Still Alive"
20. "Summer Night City"
21. "Take a Chance on Me"
22. "Does Your Mother Know"
23. "Hole in Your Soul"

Encore

24. "The Way Old Friends Do"
25. "Dancing Queen"
26. "Waterloo"

Additional notes

• "One Man, One Woman" was performed at the Northlands Coliseum in Edmonton, Alberta, Canada
• "Not Bad at All" was performed by Tomas Ledin and the backing singers.
• "I Have a Dream" was performed along with a children's chorus
• "I'm Still Alive" was performed by Agnetha Fältskog with piano

Date	City	Country	Venue
North America[8][2][9][10][11]
September 13, 1979	Edmonton	Canada	Northlands Coliseum
September 15, 1979	Vancouver		Pacific Coliseum
September 17, 1979	Seattle	United States	Seattle Center Arena
September 18, 1979	Portland		Portland Opera House
September 19, 1979	Concord		Concord Pavilion
September 21, 1979	Anaheim		ACC Arena
September 22, 1979	San Diego		San Diego Sports Arena
September 23, 1979	Tempe		ASU Activity Center
September 24, 1979	Las Vegas		Aladdin Theatre for the Performing Arts
September 26, 1979	Omaha		Omaha Civic Auditorium
September 27, 1979	Saint Paul		Saint Paul Civic Center
September 29, 1979	Milwaukee		Milawaukee Auditorium
September 30, 1979	Chicago		Auditorium Theatre
October 2, 1979	New York City		Radio City Music Hall
October 3, 1979	Boston		Boston Music Hall
October 6, 1979	Montreal	Canada	Montreal Forum
October 7, 1979	Toronto		Maple Leaf Gardens
Europe[11]
October 19, 1979	Gothenburg	Sweden	Scandinavium
October 20, 1979	Stockholm		Johanneshovs Isstadion
October 21, 1979	Copenhagen	Denmark	Folketeatret
October 23, 1979	Paris	France	Pavillon de Paris
October 24, 1979	Rotterdam	Netherlands	Ahoy Rotterdam
October 25, 1979	Dortmund	Germany	Westfalenhallen
October 27, 1979	Munich		Olympiahalle
October 28, 1979	Zurich	Switzerland	Hallenstadion
October 29, 1979	Vienna	Austria	Wiener Stadthalle
October 30, 1979	Böblingen	Germany	Sporthalle Böblingen
November 1, 1979	Bremen		Stadthalle Bremen
November 2, 1979	Frankfurt		Festhalle Frankfurt
November 3, 1979	Brussels	Belgium	Forest National
November 4, 1979	London	England	Wembley Arena
November 5, 1979
November 6, 1979
November 7, 1979
November 8, 1979
November 9, 1979
November 10, 1979
November 11, 1979	Stafford		Bingley Hall
November 12, 1979
November 13, 1979	Glasgow	Scotland	The Apollo
November 15, 1979	Dublin	Ireland	RDS Main Hall
Asia
March 12, 1980	Tokyo	Japan	Nippon Budokan
March 13, 1980
March 14, 1980	Kōriyama		Sago Taiikukan
March 17, 1980	Tokyo		Nippon Budokan
March 18, 1980
March 20, 1980	Fukuoka		Kyuden Kinen Taiikukan
March 21, 1980	Osaka		Festival Hall
March 22, 1980
March 24, 1980	Nagoya		Aichi Prefectural Gymnasium
March 26, 1980	Tokyo		Nippon Budokan
March 27, 1980

Cancellations and rescheduled shows

September 20, 1979	Fresno, California	Selland Arena	Cancelled
September 24, 1979	Salt Lake City, Utah	Huntsman Center	Cancelled
September 25, 1979	Denver, Colorado	Denver Auditorium Arena	Cancelled
October 1, 1979	Cleveland, Ohio	Public Auditorium	Cancelled
Box office score data Venue City Tickets Sold / Available Gross Revenue Pacific Coliseum Vancouver 13,499 /13,499 (100%) $125,387[12] Concord Pavilion Concord 8,096 / 8,096 (100%) $65,504[13] Milawaukee Auditorium Milwaukee 6,120 / 6,120 (100%) $50,585[14] Boston Music Hall Boston 4,200 / 4,200 (100%) $34,006[15] Maple Leaf Gardens Toronto 16,400 / 16,400 (100%) $166,000[15] TOTAL 48,315 / 48,315 (100%) $441,482 [edit]Critical response Brian Brennan (Calgary Herald) was very impressed with ABBA's stage performance (given the fact that the group have not tour in North America) although he felt the concert was very tame compared to the group's popularity stating, "[...] marred by disappointingly poor sound quality, obviously fatal for any band that depends for impact on mastery of studio technology. During the first half, the performers lacked the supercharged vitality and provocative self-assurance normally associated with big-league artists. However, for cool professionalism, assembly-line precision and computer-perfect programming, the show function like a machine from start to finish." [16] [edit]Broadcasts and recordings The tour was showcased in the film, "ABBA in Concert". The event was filmed at the famous Wembley Arena in London, England. The concert originally aired on BBC and NBC as a concert special. The footage was released to VHS in 1980 and then DVD in 2004.